ArtisAegis (757) 405-2971
How the studio works

Assessment before promise. Documentation before treatment.

Each work of art has a unique physical makeup, aesthetic allure, cultural significance and history — so each object is approached individually, with sensitivity to its material composition, meaning, past and visual appeal. This is how the studio usually works with its clients.

01

Consultation

A preliminary 30-minute assessment of the work of art, characterizing its current condition and immediate needs in general terms. Your inquiry can be discussed over the phone, but an appointment to inspect the object in person is preferable — it allows more realistic recommendations and approximate estimates. Good-quality, high-resolution photographs of your painting are welcome for review ahead of the meeting.

This initial meeting is free of charge.

02

Examination & documentation

Before any intervention, the conservator carefully inspects the piece to determine how it was constructed and what its current condition reveals. A condition report can be valuable even when nothing looks wrong: it records the painting's quality and risk factors, and serves valuations, insurance decisions, grant applications, and the artwork's record for future conservators and owners.

03

Treatment

Fragile portions stabilized. Extraneous matter removed from surfaces. Structural anomalies that put the work's physical integrity at risk addressed, and losses compensated — using only museum-grade conservation materials and techniques. All treatments reflect current conservation practice, employ minimally invasive procedures, and preserve the physical and artistic integrity of the piece and the original intent of the artist.

04

Preventive care

For every painting treated in the studio, preventive care is part of the work — minimizing the need for further restoration in the foreseeable future. Ultimately the studio's role is to assist you, the temporary custodian of an object from the past, in your commitment to safeguard it for future generations.

The standard

All art objects are treated in compliance with the Code of Ethics and Guidelines for Practice of the American Institute for Conservation — with a solid knowledge of material science and art history, and a discerning eye.

What arrives at the bench

Paintings in every medium, on every support.

Canvas & panel

Paintings in a variety of media executed on canvas, wood panels, boards and other rigid supports — old masterpieces to modern and contemporary works.

Painted surfaces

The studio's specialty extends beyond easel paintings to painted surfaces, with the same exacting standards it brings to museum work.

Period frames

Gilt and period frames conserved alongside the paintings they hold — because a work and its frame share one history.

Step 01 costs nothing

Bring the studio your painting's story.

Call or write for an appointment. High-resolution photographs ahead of the consultation help the conservator give you realistic recommendations sooner.

All information provided is treated confidentially and never shared.